Better ebooks – Standard Ebooks

Book reading for me mostly still involves holding an actual book, preferably a nice hardback. (Black coffee, room with a view, a bit of quiet. I don’t ask much.) But the convenience of ebooks can’t be overlooked and it’s nice to be able to choose, depending on mood, need or whim.

Highlighting, making notes and searching are all so much easier with ebooks and avoid the horror instilled in me since childhood of breaking taboo and actually writing in a book.

One of the other advantages is cost. I choose to support my local independent booksellers wherever possible, but for many students and others on fixed incomes that isn’t possible. So it’s a good thing that so many copyright free books have been made available to us by the wonderful people at Project Gutenberg: making great works available to a wide audience regardless of capacity to pay.

But only rarely have I ever taken advantage of this opportunity, because such freely available ebooks are almost always, well, pretty ugly. Horribly formatted, poorly proofread and sometimes incomplete, they are not quite the bargain they seem. Which is why a new volunteer-driven venture – Standard Ebooks – is such a welcome development. In their own words, Standard Ebooks:

… takes ebooks from sources like Project Gutenberg, formats and typesets them using a carefully designed and professional-grade style guide, lightly modernizes them, fully proofreads and corrects them, and then builds them to take advantage of state-of-the-art ereader and browser technology.

To most regular readers, the difference is significant, not just in first impressions but in the actual experience of reading the full work. Here is a link to a screenshot of the Project Gutenberg edition of Bram Stoker’s Dracula and here a screenshot of the Standard Ebooks edition. Both show roughly speaking the same pages from the original novel, are in the same font (Athelas) and pitch (two step increases from the minimum) and both were taken on the same iPad.

The Standard Ebooks layout is that of a book, gone are the white space voids between paragraphs, dashes have been corrected, quotation marks are formatted, italics appear as and where they should. In one sense the differences are subtle; there is nothing exaggerated or done purely for effect in the formatting of Standard Ebooks – they are clearly working to a disciplined style guide that does enough and stops there.

You can discover the range of titles available from the Standard Ebooks library, and of course download whatever you like for free. You can also make suggestions for future titles or become a volunteer in creating more such wonderful ebooks – a noble thing to do in my view.

If you do download a title, and you are a book nerd, make sure to check out the Uncopyright statement at the end of the book.

The Making of the Atomic Bomb by Richard Rhodes

“It is a profound and necessary truth that the deep things in science are not found because they are useful; they are found because it was possible to find them.” – Robert Oppenheimer.

On most lists of all time best popular science books you’ll find Richard Rhodes’ majestic history The Making of the Atomic Bomb. Begun deep in the cold war in 1978 and published in 1986 to wide critical acclaim, it remains the authoritative account of fundamental scientific discoveries that ‘changed the structure of human affairs – permanently.’

Necessarily the work is part history, part popular science and part biography, touching on most of the household names in twentieth century physics from Rutherford and Curie to Einstein, Bohr, Teller and Oppenheimer. The scope of the history too is grand, covering social, political and of course military history as well. The number of themes, people, discoveries and events that need to be described and drawn together in this narrative is truly daunting. That Rhodes succeeded on so many levels is reason enough for the book to be considered a classic.

Appropriately Leo Szilard opens the story. Though many others before him had considered the potential of atomic energy perhaps no one better or more presciently understood its implication for industrial or military applications. Szilard read in 1933 of Rutherford’s pronouncement that anyone looking for a power source in the transformation of atoms was ‘talking moonshine’ and it appears to have brought about something of an epiphany in Szilard. Crossing a London street:

“it… suddenly occurred to me that if we could find an element which is split by neutrons and which would emit two neutrons when it absorbs one neutron, such an element, if assembled in sufficiently large mass, could sustain a nuclear chain reaction, … In certain circumstances it might be possible to set up a nuclear chain reaction, liberate energy on an industrial scale, and construct atomic bombs.”

From this opening vignette Rhodes then backtracks and turns to the story of the atom itself and the key discoveries of the first four decades of the twentieth century following J. J. Thompson’s discovery of the electron in 1897. It is a story revealing the cumulative, cooperative nature of scientific progress: Rutherford’s elegant experiments in Manchester that detected the atom’s nucleus; Heisenberg, Born and Schrödinger formulating quantum mechanics in the mid-twenties, Chadwick’s dedicated, exacting experiments that led him to discover the neutron in 1932; the fantastic tale of the first nuclear fission in Germany in 1938 in experiments conducted by Otto Hahn but not fully recognised for what they were until the results were reviewed by Lise Meitner and her nephew Otto Frisch.

The story of how Meitner and Frisch came to work on that famous paper is one of fortune and coincidence – the forces of history acting on individuals with profound consequences. Later there is Fermi, creating the first nuclear pile in a squash court beneath the University of Chicago – the pile itself assembled by members of the football squad, chosen as much for their availability as for their physical strength. Rhodes quotes Fermi:

“ was really a pleasure for once to direct the work of these husky boys, canning uranium – just shoving it in – handling packs of 50 or 100 pounds with the same ease as another person would have handled three or four pounds.”

Rhodes writes with a simplicity and detail that creates a real intimacy with the experimenters; the reader positioned as witness to history. He creates beautiful pen portraits of the large cast of individual players in the story; we understand their life stories and the heavy choices forced upon them. Rhodes also draws out the tension between international cooperation and the ethical questions raised by the key discoveries – and by their publication. The rise of Nazism and the start of the war in Europe are more than the background to this history – it is the stuff of life for all the scientists involved. As war began and the 1930s drew to a close, many increasingly worried about the effect of publication. Szilard, meanwhile, considered the prospect of Germany winning the race to create an atomic bomb.

Like many of the scientists fleeing Nazism in Europe, the story inevitably moves to the United States where at the Berkeley Radiation Laboratory Ernest Lawrence built the world’s first particle accelerator – the cyclotron. Within the community of physicists around the globe, knowledge was increasing at an increasing rate. Rhodes takes time to deliver the narrative in detail despite its scope. Throughout, he follows the progress of atomic research in Germany, Japan and Russia as well as in Britain, western Europe and the United States. The years between Thompson’s discovery of the electron in 1897 and the formation of the Manhattan Project in 1942 take more than half of the book’s length.

The largest project management task in history begins with the appointment of General Leslie R. Groves and his subsequent, controversial choice of Robert Oppenheimer to lead the Manhattan Project. This part of the story may be considered largely engineering, but it is never allowed to be just that in Rhodes’ hands. The story is imbued with politics, the conflicting interests of the players involved, the pressure to solve vast technical problems in tiny timeframes, questions of espionage and loyalty, the day to day life for families at Los Alamos and, of course, the progress of the war. Constantly one is reminded of the daunting, unparalleled scale of the operation.

President Roosevelt, who had given approval for development of the atomic bomb, died before the first test at Trinity. One can only imagine the culture shock of President Truman on being briefed about the bomb on assuming the presidency. To be told, in effect, that the nature of matter is not what you thought it was, and that we can unmake it too.

The final events that led to the dropping of the bomb on Hiroshima, the steps in international politics and bureaucracy where, one by one all opportunities to avert the disaster were lost, are detailed with grim starkness: we all know how the story ends.

Here again Rhodes makes us the intimate witness to history: he lets survivors speak of the moments after the bomb dropped. In dozens of brief survivor accounts he builds an overwhelming and much layered portrait of atrocity. Rhodes, who in eight years of writing had a source for every event, is almost apologetic at being unable to deliver an account of the impact of the bomb:

“Closer still, in the heart of the city, no one survived to report the coming of the light; the constrained witness of investigative groups must serve instead for testimony.”


“The world of the dead is a different place from the world of the living and it is hardly possible to visit there. That day in Hiroshima the two worlds nearly converged.”

The Making of the Atomic Bomb is a magnificent synthesis of history, biography, science and erudition. Its place as a classic seems assured.



Book events in Perth

Perth readers have a bit to look forward to in June with events happening in the city and down south where the Margaret River Writers & Readers Festival starts this weekend.

The festival has an impressive program of authors and speakers that includes Michael Palin, Robert Drewe, Joan London, Kerry O’Brien, Clementine Ford, Tim Costello, Stephanie Alexander, Jane Caro and more.

Subiaco Library and Boffins Books are hosting Paul E. Hardisty for the launch of his new book Reconciliation For The Dead. The evening will include the author in conversation with special guest David Whish-Wilson.

Boffins Books also have Quarterly Essayist Anna Krien speaking about the Great Barrier Reef and climate change. The event is being held at The UWA Oceans Institute.

Also in June at UWA, Tony Kevin, author and former diplomat will giving a free talk to discuss his new book Return to Moscow. And Winthrop Professor Robert White will be giving a free public lecture on Jane Austen’s Sense and Sensibility.

The stories in our genes

Pitching popular science writing with the right balance must be fiendishly tricky. Making the complex accessible to a general reader necessarily means simplifying matters. And of course oversimplifying carries its own dangers and can perpetuate misunderstandings that plague science reporting in tabloid media. Perhaps this is true nowhere more than in genetics where too often lazy reporting and the exaggerated claims of commercial interests meet.

Adam Rutherford’s entertaining and often very funny book gets it right time after time. He is always at pains to be clear and not to mislead by oversimplifying. Pedantic clarification could be tedious but Rutherford is too good a writer not to anticipate this and instead delivers the message with clarity – and often self-deprecating humour. Speaking about the claims that living descendants of the Queen of Sheba had been traced by a private ancestry company, Rutherford writes:

Can we say she definitely existed? Not really. If she did, can we say that everyone is descended from her? I wish I could give a more academic answer, but a frown and a shrug is the best I can manage.

A Brief History of Everyone Who Ever Lived is a book in two parts. The first part is a potted history of human DNA, from the time when Homo sapiens shared the planet with other human species; the second half of the book looks at what genetics can tell us (and what it can’t tell us) about ourselves and our species.

It’s ambitious material to cover for the general reader and touches on so many hot topics: race, determinism, genetics and violent crime and heritability. Rutherford’s discussion of each produces a measured view, derived from evidence but not leaping into speculation or letting the reader run away with the wrong idea.  As he writes, “A continuing theme of this book is the limits to what genes can tell about us.”

Rutherford writes with a light touch to inform and uses the book’s own typography as a metaphor to explain some aspects of the genetic code. The complex and still unravelling story of human migration out of Africa is detailed here with all its nagging complication. Rutherford selects some great set pieces to tell his story. I found myself thinking “I’m enjoying this bit” a lot: Neanderthal DNA, the genetics of the plague, Charlemange, King Richard the Third and Jack the Ripper, the genetics of earwax, inbreeding among the Spanish Hapsburgs. And don’t ever skip the footnotes. Not only is there relevant and interesting detail down there, but some of the best jokes are too.

Along the way he corrects a lot of assertions you might have seen or heard elsewhere about genetics, human evolution and inheritance. The section on heritability is a beautifully clear piece of science writing. Also welcome is the slightly corrective tone on epigenetics:

… a fascinating, essential part of biology, still in its infancy, worthy of serious, scrutiny-rich research. It is not magic or new, not heretical, and it won’t upend Darwin or gift you supernatural powers over your life and fate.

Although keen to be accurate and clear Rutherford wisely allows some of the personal to intrude. We read a little of his own experience of racism, his nuanced views on Francis Galton and eugenics and the moving account of the ‘hideous Nazi experiment’ known as the Hongerwinter.

A Brief History of Everyone Who Ever Lived is great popular science writing. Enlightening, engaging and entertaining.

The Orwell Prize 2017

The Orwell Prize is awarded annually in the UK by The Orwell Foundation and aims ‘to encourage good writing and thinking about politics’.

The shortlist for the 2017 prize has just been announced. The diverse subjects covered by these books reflects the broad definition of politics the prize has adopted. The list below includes the brief descriptions from The Orwell Prize website but adds links to book reviews for each title.

Citizen Clem by John Bew
Biography of the post-war Labour Prime Minister by an author praised as ‘the outstanding historian of his generation’.

The Seven by Ruth Dudley Edwards
A critical re-examination of the Easter Rising and the ‘fundamental questions and myths surrounding Ireland’s founding fathers’.

All Out War by Tim Shipman
Contemporary history of the EU referendum campaign from political reporter Tim Shipman, ‘based on unrivalled access to all the key politicians and their advisors’.

Island Story by J. D. Taylor
With a rusty bike and a tent, new name J. D. Taylor cycles round Britain in search of the answer to the question – ‘what is life like on this island?’

And the Sun Shines Now by Adrian Tempany
A book about ‘what arrived in the wake of unquestionably the most controversial tragedy in the post-war era of Britain’s history’.

Another Day in the Death of America by Gary Younge
The Guardian writer Gary Younge focuses on Saturday November 23rd 2013, when ten children and teens were killed by gunfire in the United States.

Perth Writers Festival and more

It’s almost festival time in Perth with the Perth Writers Festival kicking off next month. Browse through the full program of over 140 events.

Kudos to whoever put Alberto Manguel, Jane Smiley and Damon Young on the same panel to talk about The Art of Reading. I have heard (and read) Manguel on similiar topics before and this panel session should be memorable. Manguel is in conversation with Phillip Adams in another session titled Life of Curiosity.

Also promising is The China Effect with Madeleine O’Dea, Madeleine Thien and Mei Fong.

Not long after the festival, philosopher and author A. C. Grayling is visiting Perth and speaking at the wonderful new City of Perth Library on 31 March. This event is organised by the good people at Boffins Books and that’s where you book your tickets.

Anticipated books for 2017

The last few weeks have seen lists of books scheduled for 2017 appearing. The New York Times, of course, has a brief guide and The Guardian has a guide to nonfictionThe Huffington Post also has a collection as does Goodreads.

There are some titles in all these lists worthy of anticipation. Knopf has an unpublished short work by the late Joan Didion – South and East – which is due in March. Ottessa Moshfegh whose first novel Eileen was shortlisted for The Man Booker Prize, has a collection of short stories titled Homesick for another world due out pretty much now. Short story anthologies seem to be something of a theme: Pulitzer Prize winner, Viet Thanh Nguyen has The Refugees coming out next month and Haruki Murakami’s Men Without Women is due in May.

Incidentally, Simon Schama remarked on Twitter a few days ago that he has a new volume of The Story of the Jews coming out ‘next year’, but as this was tweeted around new year he might well mean 2018. We must also wait, it seems, for Antony Beevor’s history of the World War II Operation Market Garden of which I can find no sign just yet.

Cover design – ‘a few shiny bits…’

Staff of Readings have a nice list and commentary on their favourite book cover designs of the year. Art Director for The New York Times Book Review, Matt Dorfman, also has a list of his own Best Book Covers of 2016.

There’s a few titles appearing in both lists, including Michael Chabon’s Moonglow.