It’s that time. Each year The Guardian has a long list of books of the year compiled by novelists, historians and other authors. Part one of the list is out this weekend.
The New York Times also has its own list of 100 Notable Books of 2016.
Melbourne University Publishing has a competition running to win 24 very nice titles from the current Christmas catalogue. Enter here.
The architect behind the Perth’s iconic new library gave an insight into its design process at a talk held in the library earlier this month.
Patrick Kosky of Kerry Hill Architects guided us through the design process in a breeze thirty minute presentation accompanied by sketches, plans and images of the design and build.
Early in the design process, they settled on the basic shape of a ‘truncated cylinder’ – truncated referring to the sloping roof that allows northern sunlight into the plaza behind the library.
For a very modern library there are references – ‘precedents’ – from libraries in other centuries. The circular reading room and the ‘painted’ ceiling recall libraries many of us have seen only in American movies.
Accomodating library services across five levels and making the whole work, seamlessly, and intuitively for the visitor must have been a challenge. Kosky noted that library staff embraced the change, moving the library service beyond a ‘repository of objects’. Discussions with staff and a library consultant enabled a ‘logical stacking of functions’ across the levels. The Children’s Library – a faintly magical space of light and air with it’s own tall tree growing among the young readers – is acoustically separated from the reading room and other levels below. The space with the fewest books and the most tech is that for young adults – at the top and away from everyone.
The reading room itself looks up through the three-level void to the artwork installed on the ceiling – a remarkable interpretation of Shakespeare’s The Tempest by artist Andrew Nicholls.
Connecting the levels is the winding staircase, clad in ‘fins’ of granite. Through these fins we glimpse views of the Perth streetscape we haven’t seen before. Walking quietly through the library you keep discovering new views and interesting spaces. As a library should be, it’s a place for the curious.
I haven’t mentioned the auditorium, the history centre, the green wall, or the roof terrace with its unique view over Perth Cathedral to the river. If you haven’t visited Perth recently, The City of Perth Library is a reason to make the effort.
It was a bright cold day in April, and the clocks were striking thirteen.
Australian publisher Text has a new edition of George Orwell’s 1984 out later this month. It has a clever and minimalist cover design that carries a nice allusion to the book’s memorable opening line.
Since its first publication in 1949, designers have taken many different approaches to 1984. Scarlett Rugers, the book design agency, has a short article showing 42 different cover designs that have been used for Orwell’s classic.
I picked up Ottessa Moshfegh’s Eileen, struck by the fact that it was shortlisted for both the Booker Prize and a Crime Writers’ Association Dagger Award.
Strange, disturbing and bleak it’s also moving and, at times, shockingly funny. Among lots of great reviews here’s Patrick Anderson’s take, writing in The Washington Post.
Philosopher and novelist Rebecca Goldstein talks about her favourite philosophical novels for the website fivebooks.com.
This is a longer read, but worthwhile for Goldstein’s take on, among others, Middlemarch and Moby Dick, and the influence of Spinoza on fiction.
Isaac Chotiner has a delightful interview with Zadie Smith on Slate. Articulate, thoughtful and funny, this is perfect weekend reading.
Colson Whitehead’s The Underground Railroad has won the fiction prize in the National Book Awards announced yesterday in Manhattan. The book has been a bestseller since being announced as Oprah’s book of the month earlier this year. The National Book Awards have been presented by the National Book Foundation since 1950 and you can see all the category winners on the Foundation’s website.
The Pigeon Tunnel: Stories from my Life by John le Carré
Le Carré places his account of his father, the abusive conman Ronnie, at the end of the book rather than the beginning, ‘because, much as he would like to, I didn’t want him elbowing his way to the top of the bill’.